Phil Marlowe, a private detective sees life from a Guy Noir perspective Director and crew share Phil's point-of-view by making the cam'ra subjective
Top:Audrey Totter stares at the camera in Lady in the Lake (Robert Montgomery, 1947). Above: The film is shot almost entirely from the subjective view of its director and star, Robert Montgomery, so we only see him reflected in mirrors. Below: A conventional, non-subjective promo still. Photo source: DVD Beaver, Ride the High Country and Classic Mongomery.
and what she says to me's in vain She just shouldn't ought'r Cuz she's under water I can't understand what she's sayin'!
Norm
She talks way too much when she phones On shopping and boys always drones But here's the real shocker she calls from the locker belonging to one Davey Jones
Surly This concludes our week long gallery tour of the photos of Bruce Mozert, underwater photography pioneer. Time to towel off. Pics: Smithsonion.com
From mountain drop dizzying steep to lipstick red ravishing deep D.P.'s patron saint with film stock would paint bold colour to make the eyes weep
Jack Cardiff, a master of Technicolor, was the director of photography on A Matter Of Life and Death, Black Narcissus (pictured) and The Red Shoes, as well as many other films.