![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1VOCDCPoV6g4pFh492JW7K-eFc3qiKSQorY2KM6dXfn1CDlWz9TR28SyavcOCeHQ04XKPl65gjR6S2LBQA9H6rEQ4Y4Rcl7Smo1idrOjOf5R38n1KABjQ0ZIY4dWcKGjJEFiCsWFoKjo/s400/lady+in+the+lake-DVDBeaver.jpg)
Phil Marlowe, a private detective
sees life from a Guy Noir perspective
Director and crew
share Phil's point-of-view
by making the cam'ra subjective
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiw6ATmP7lrniov5p9xyHAIVCbhrfPtzIgi40zeEEzSSDa8CI2W0c65xrkqNndVynLXVcEbPjQRlC2nPDF6NxY2afsUiWh75ZJ9zgv1MQuFc6AfMPflB3oEQL87NmBxj0Txfc9Na1CbUwU/s400/Lady-Lake-mirror.jpg)
Top: Audrey Totter stares at the camera in Lady in the Lake (Robert Montgomery, 1947). Above: The film is shot almost entirely from the subjective view of its director and star, Robert Montgomery, so we only see him reflected in mirrors. Below: A conventional, non-subjective promo still. Photo source: DVD Beaver, Ride the High Country and Classic Mongomery.
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