![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj9iA1bVxsIm31FhMZnOPNcx-DkXUWL5D5CT7Cg9WZI57phKdRuWIIf44k_lao2lKNHMENPXL-6qgbkF3X23PS_ogAtwnnEoMeyKVRyTfz0vnDDw5DdtLBhsvWlx3aUBLQ0l1HhsXztKEI/s400/drive_a_crooked_road.jpg)
He takes a look under her hood
and likes what he sees, as most would
This bashful mechanic
goes into a panic
Too late he finds out she's no good
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgXryfJ-s7CsTqpPJDCGdqjrjpuY6Q7XuqsXO64rj129PY6cqjzJXTdayyYH8qBK_fJWPbyXPPC3Hm6Wr3KdFJDnl9KikU0R8KM5TRml2WpUtTKnSSS-aUH31NNPDiUJR_6jx2AE0561O4/s400/crooked2hl3.jpg)
Mickey Rooney doesn't get what Dianne Foster sees in him in Drive a Crooked Road (Richard Quine, 1954), scripted by Blake Edwards. Rooney gives an uncharacteristically subdued and terrific performance in the film. Image source: Noir of the Week.
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