Do orbs we call "windows to souls" conceal limpid pools or just holes? Do Annie's white spots and Dondi's black dots reveal boiled eggs and black coals?
Disasters, all shapes and all sizes will visit in various guises You won't see most coming, but some, though mind-numbing are anything but big surprises
Most stop at the line, as they should or else at the walk, which is good But some cross all lines and drive through the signs, pedestrians piled on the hood
Irv Brecher was quick with a quip his writing both witty and hip He dotted "Go West" with bon mot and jest each gag "At the Circus" a pip
For radio wrote "Life of Riley" his humor martini mixed dryly A comic savant like Oscar Levant his rep as a writer's held highly
William Bendix reads "The Life Of Riley"
For a link to an article on and interview with comedy writer Irving Brecher, clickhere. For his N.Y. Times obituary, click here. And his L.A. Times obit,here
In Obama so many believe have high hopes for what he might achieve He'll have to be nimble to be more than symbol with the mess little Georgie will leave
Down alleys and rainy streets slipped Was beaten by thugs and then, given hugs by ladies, alluringly lipped
Will Eisner took comics to heights surpassing mere supermen fights Throughout comics’ annals none’s so mastered panels One of comics most luminous lights
The Spirit has been revived as a comic book
and will be a movie in 2009. Do yourself a
favor and read the original in The Spirit Archives, available from DC comics.
The era that stretched the film screen plumbed depth that had never been seen Both monster attacks and starlets with racks stood out from the flat mise-en-scene
Dimension that normal film lacks soon dripped from 3-D House of Wax But first Bwana Devil raised crap to new level as lions ate tribesman as snacks
If you have a pair of red and blue 3-D glasses, put 'em on and view the poster below in 3-D!
I've loved 3-D ever since I saw Richard Corben's Deep 3-D Comix in 1970. My greatest 3-D film experience was a showing of Dial M for Murder and Spooks in the original Polarized process. These two films represent the polars of 3-D: Hitchcock's restrained and formally brilliant use of 3-D might be art, while The Three Stooges threw everything at--and through--the screen, in the greatest piece of 3-D entertainment.
Recommended reading on 3-D: Amazing 3-D, by Morgan and Symmes.
To read an informative article on St. John, which published the first 3-D comics by artists Joe Kubert and Norman Maurer, click here. Ray Zone's 3-D Zone site ishere
Two eyes in the dark 'neath the stair
Unblinking and yellow, they stare
A sibilant hiss...
some thing is amiss
I don't think that's our rover down there
I've had a good look at your scans, sir I think in your brain you have cancer That's only a guess Your lobes are a mess When you get this email, please answer