Tuesday, September 27, 2016
The mariner feels such a booby
Though darn it, he's really no newbie
But his sweet Shanghai blossom
Proves a cheat, far from awesome
Sheer blarney, unreal, a fake Ruby.
Sailor James Cagney romances prostitute "Shanghai Lil", played by all-American Ruby Keeler: Footlight Parade (Lloyd Bacon, Busby Berkeley; 1933). Title by discombobulated Donald B. Benson.
Monday, September 26, 2016
He's sailing the Earth's seven seas
Assailing the birds and the bees
But broads who work ports
Are frauds, he reports,
"The frails in here sure ain't Chinese."
James Cagney and Ruby Keeler in Footlight Parade (Lloyd Bacon, Busby Berkeley; 1933). In the film's final musical number, “Shanghai Lil”, Keeler is in "yellowface" as Lil, one of the prostitutes working in a waterfront bar. Title by impurist Donald B. Benson.
Friday, September 23, 2016
If she let him, for free or for rent,
She's doomed even if she repent.
And she can't be his wife
When her man mates for life --
That's the "nice girl" who didn't consent.
Donald B. Benson
By the dictates of Hollywood morality, not only can prostitute Mae Clarke never marry soldier Douglass Montgomery, but she must also die. The wages of sin in Waterloo Bridge (James Whale; 1931).
Thursday, September 22, 2016
Some broads in these stories were easy
Quite flawed, without moorings, and sleazy
When they ramped up the code
Such tramps hit the road
The bawdy made moralists queasy.
Mae Clarke and Doris Lloyd play prostitutes in Waterloo Bridge (James Whale; 1931).
Wednesday, September 21, 2016
Though she works, she can't draw on a pension
And the perks are too awful to mention
From the streets to the flops
All she meets are the cops
And those jerks of the law mean detention.
Barbara Stanwyck is one of the Ladies They Talk About (Howard Bretherton, William Keighley; 1933).
Tuesday, September 20, 2016
In the fight "Cagney versus Mae Clarke"
She might hurl a curse or remark
She'd nag and she'd glare
Then get dragged by her hair
His bite being worse than her bark.
James Cagney drags Mae Clarke out of bed and across the room -- by her hair: Lady Killer (Roy Del Ruth; 1933).
Monday, September 19, 2016
Half-deranged, Cagney won't take no guff
He's no angel, he's prone to get rough
But when known dirty rats
Have him mown down with gats
For a change, he groans "I ain't so tough."
James Cagney in The Public Enemy (William A. Wellman; 1931).
Friday, September 16, 2016
With plotlines more bracing than sappy,
Joan's hotties are aces and scrappy
Exposing her thighs
In hose she cracks wise,
Allotted lines racy and snappy.
Joan Blondell's gams are featured in the very first shot of Smarty (1934; Robert Florey); with Warren William.
Thursday, September 15, 2016
A fella who flails beneath dresses
Will dwell on a gal's bedroom messes
At tops you unhook
He stops for a look
To help turn his fails to successes.
James Cagney plays Lingerie Inspector in Blonde Crazy (Roy Del Ruth; 1931). Title by dainty Donald Benson.
Wednesday, September 14, 2016
When eyeing a dame in the tub,
A guy's always game for a rub
But censors say nyet!
To anything wet
Keep it dry, or film frames they will scrub.
James Cagney and Joan Blondell, having fun in Blonde Crazy (Roy Del Ruth; 1931). Title by bathist Donald B. Benson.
Tuesday, September 13, 2016
This sleaze with the wandering mitts
Will squeeze her if blondie permits
Present her with jewels
And then, April Fools!
Turning tease, she'll abscond with the glitz!
Guy Kibbee falls for con woman Joan Blondell in Blonde Crazy (Roy Del Ruth; 1931). Title by windy David Cairns.
Monday, September 12, 2016
Her life wasn't joy uninterrupted
The strife sometimes boiled and erupted
But Blondell had that flair
That compels you to stare
Just one eyeful and boy! You're corrupted.
In the 1930s Joan Blondell was a staple in racy pre-Code films at Warner Brothers Pictures, usually playing a sexy, wisecracking blonde. From Wikipedia: Rose Joan Blondell was born to a vaudeville family. Her cradle was a property trunk as her parents moved from place to place and she made her first appearance on stage at the age of four months when she was carried on in a cradle as the daughter of Peggy Astaire in The Greatest Love. Her family comprised a vaudeville troupe, the "Bouncing Blondells."
Friday, September 9, 2016
We're aflame, cock-a-hoop, took by storm!
With that same Betty Boop-looking form
For Joan's luminous quality
Dispels gloom, promotes jollity
This dame's ice-cream scoops stacked -- but warm.
Joan Blondell takes a bath in Blonde Crazy (Roy Del Ruth; 1931).